
I Walked with a Zombie / The Seventh Victim - Blu-ray
Terror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKOās B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and sensual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnoticĀ I Walked with a ZombieĀ and the shockingly subversiveĀ The Seventh VictimĀ are still-tantalizing dreams of death that dare to embrace the darkness.
I Walked with a Zombie
1943
Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward deathāthe otherworldly atmosphere of this bold reimagining ofĀ Jane EyreĀ is as close as studio-era Hollywood ever came to pure dream-state surrealism.
The Seventh Victim
1943
āDeath is goodā is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New Yorkās bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangmanās noose? With its daring treatment of depression and queerness,Ā The Seventh VictimĀ has haunted the margins of cinema for decades, its radical bleakness undiminished by time.
SPECIAL FEATURES
- New 4K digital restorations of both films, with uncompressed monaural soundtracks
- Audio commentary onĀ I Walked with a ZombieĀ featuring authors Kim Newman and Stephen Jones
- Audio commentary onĀ The Seventh VictimĀ featuring film historian Steve Haberman
- Interview with film critic and historian Imogen Sara Smith
- Audio essays from Adam Rocheās podcastĀ The Secret History of Hollywood
- Shadows in the Dark: The Val Lewton LegacyĀ (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and others
- Trailers
- English subtitles for the deaf and hard of hearing
- PLUS: Essays by critics Chris Fujiwara and Lucy Sante
- New illustration by Katherine Lam
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Description
Terror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKOās B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and sensual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnoticĀ I Walked with a ZombieĀ and the shockingly subversiveĀ The Seventh VictimĀ are still-tantalizing dreams of death that dare to embrace the darkness.
I Walked with a Zombie
1943
Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward deathāthe otherworldly atmosphere of this bold reimagining ofĀ Jane EyreĀ is as close as studio-era Hollywood ever came to pure dream-state surrealism.
The Seventh Victim
1943
āDeath is goodā is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New Yorkās bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangmanās noose? With its daring treatment of depression and queerness,Ā The Seventh VictimĀ has haunted the margins of cinema for decades, its radical bleakness undiminished by time.
SPECIAL FEATURES
- New 4K digital restorations of both films, with uncompressed monaural soundtracks
- Audio commentary onĀ I Walked with a ZombieĀ featuring authors Kim Newman and Stephen Jones
- Audio commentary onĀ The Seventh VictimĀ featuring film historian Steve Haberman
- Interview with film critic and historian Imogen Sara Smith
- Audio essays from Adam Rocheās podcastĀ The Secret History of Hollywood
- Shadows in the Dark: The Val Lewton LegacyĀ (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and others
- Trailers
- English subtitles for the deaf and hard of hearing
- PLUS: Essays by critics Chris Fujiwara and Lucy Sante
- New illustration by Katherine Lam











